![]() ![]() Geogaddi has plenty of there 'Beaty' and tracks with lots of disturbed and meloncholy melodies such as 'Music is Math' and '1969', but now they have a lot more of this strange ambient sound mixed with an anxious yet different IDM sound 'Gyroscope'-'The Beach At Redpoint'-'You Could Feel The Sky' and 'Alpha and Omega', which was unexpected. Sure they still have there glitched out beats with there non-organic samples of little childeren and nature documentaries, but they are are a different BoC and the fact that they have challenged themselves to step outside There Own Box, i think with a little time this one will grow on us.like Chemical Brothers and Underworld albums we always seem to nitpick them and state that there previous album was better, well what makes good artists is there constant change and evolution.īoards Of Canada Geogaddi Vinyl Geogaddi Meaning It is a wonderful place.Let's Face it, BoC with each release leave that style behind for an updated one, and in this case with 'Geogaddi' they have gotten a little more abstract and experimental. And there, amid the rhythmic minimalism of the darkly cloudy 'Gyroscope,' the Arabic wistfulness that accompanies the keyboard trance of 'Alpha and Omega,' and the gamelan-infected ambient spirits of 'The Devil Is in the Details,' lies Boards of Canada's idealized terra nova. omgggg Addeddate 21:28:08 Identifier 14-alpha-and-omega Scanner Internet Archive HTML5 Uploader 1.6.4. Publication date 2002 Topics boards of canada, boc, music, ambient, techno, scary Language English. But when they do get to dreaming in long form - this time with tablas and artificial gallops for rhythm beds - the result is akin to a Ripley's natural phenomenon. Geogaddi - Boards of Canada FLAC by Boards of Canada. They're also still fond of composed fragments that are more couplets than full-blown stanzas. Their basic musical elements remain: filtered analog-synth melodies, crackly-wack hip-hop beats, and sampled voices of innocence, sometimes manipulated beyond comprehension. Geogaddi, a crystalline 23-track sprawl, is quite worth the wait, cementing the duo's digi-log electronica aesthetic while moving their sound towards the pan-global techno-pop Xanadu of Björk and Timbaland. In the process, Boards have unwittingly cultivated a rabid fan base, who have been breathlessly anticipating a follow-up to their epochal 1998 debut, Music Has the Right to Children. They give few interviews, don't play live shows (they're not DJs), and release Whitman-meets-Satie proclamations on the world's beauty in limited vinyl editions. The artistic nature of Scotsmen Marcus Eoin and Michael Sandison, the pastoral ambient-psychedelicists who are Boards of Canada, is secretive, meticulous, and glowingly warm. ![]()
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